A drawing tells us where every original line belongs. A turntable shows what happens when that line gains depth. On the shallow head reliefs, the rays share one backing and the reverse is intentionally plain.
The seated bear asks another question. Its hat and pose survive a first reconstruction, but the unseen back repeats a face. We keep that result visible so the next sculpting pass has a concrete problem to solve. It is a digital study for review, not an approved sculpture.
This editorial draft does not describe Mattea’s personal biography or establish character canon. Her original art remains the reference.